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  <titleInfo>
    <title>DUAS FARSAS, O EMBRIAO DO TEATRO DE MOLIERE</title>
  </titleInfo>
  <name type="personal">
    <namePart>BERRETTINI, CELIA</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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    <dateIssued encoding="marc">1979</dateIssued>
    <edition>1 ed.</edition>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">por</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>130P. 16CM. BROCH.</extent>
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  <abstract>INTRODUZINDO VARIANTE, REELABORANDO ELEMENTOS, ENRIQUECENDO SUAS CRIACOES, RENOVANDO SEUS TEMAS E PERSONAGENS, E MOLIERE, SEGUNDO MUITOS AUTORES, O PLAGIARIO DE MOLIERE. MAS NAO E ESSA A MARCA DA ORIGINALIDADE? O SABER MANTER-SE SEMPRE O MESMO, APESAR DAS MODIFICACOES, POIS A ORIGINALIDADE CONSISTE NA MONOTONIA? -- TAL E A INDAGACAO FECUNDA E RENOVADORA COM QUE CELIA BERRETTINI, UMA DE NOSSAS MELHORES ESPECIALISTAS UNIVERSITARIAS EM TEATRO E LITERATURA FRANCESA, SE INTERNA PELO UNIVERSO DA CRIACAO MOLIERESCA, PROCURANDO DESVENDA-LO COM EXTRAORDINARIA ERUDICAO E SAGACIDADE CRITICA PARA OS HOMENS DE TEATRO E ESTUDIOSOS DA OBRA DO GENIAL COMEDIOGRAFO.</abstract>
  <note>PORTUGUES</note>
  <subject>
    <topic>HISTORIA E CRITICA</topic>
  </subject>
  <subject>
    <topic>MOLIERE, JEAN BAPTISTA POQUELIN, 1622-1673</topic>
  </subject>
  <subject>
    <topic>MOLIERE</topic>
  </subject>
  <subject>
    <topic>SECULO XVII</topic>
  </subject>
  <subject>
    <topic>TEATRO FRANCES</topic>
  </subject>
  <identifier type="uri">https://www.santoandre.sp.gov.br/pesquisa/con_detalhe.asp?ID=159148&amp;vHistoryNovo=sim</identifier>
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